Reflexiones sobre la etnopoesía
DOI:
https://doi.org/10.26754/ojs_misc/mj.199011826Resumen
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ANTIN, David. 1972. “Modernism and Posmodernism: Approaching the Present in American Poetry”. boundary 2. DOI: https://doi.org/10.2307/302056
---. 1974. “A Note on Poetry & Prose & Talking As Postcript to ‘Talking at Pomona’”. Alcheringa 4: 42-44.
---. 1976. “Talking to Discover”. Alcheringa 2.2: 112-119.
BENAMOU, Michel. 1976. “Foreword”. Alcheringa 2.2: 5
BLY, Robert. 1962. Silence in the Snowy Fields. Middletown (CT): Wesleyan UP.
---. 1970. The Teeth Mother Naked at Last. San Francisco: City Lights.
---. 1979. This Tree Will Be Here for a 1000 Years. New York: Harper and Row.
BURBER, Martin. 1956. Yo y tú. Buenos Aires.
CREELEY, Robert. 1970. Quick Graph. San Francisco: Four Seasons Foundation.
DUNCAN, Robert. 1960. The Opening of the Field. New York: Grove Press.
---. 1966. “Towards an Open Universe”. En Nemerov 1966: 131-140.
---. 1968. The Truth and Life of Myth. New York: House of Books.
LAWRENCE, D.H. 1981. Selected Essays. Harmondsworth: Penguin.
MAC LOW, Jackson. 1972. “Chance, Silence and Language: Some Performance Pieces”. Alcheringa 4: 49-59.
NEMEROV, Howard, ed. 1966. Poets on Poetry. New York: Basic Books.
OLSON, Charles. 1960. “Projective Verse”. En Allen 1960: 386-397.
---. 1967. Human Universe. New York: Grove Press.
---. 1970. The Special View of History. Berkeley: Oyez.
---. 1970b. Archaeologist of Morning. London: Cape Goliard / Grossman.
PAUL, Sherman. 1986. In Search of the Primitive. Baton Rouge and London: Louisiana State UP.
QUASHA, George. 1976. “The Age of the Open Secrets: a writing piece on Ethnopoetics, the Other Tradition and social transformation”. Alcheringa 2.2: 65-77.
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Derechos de autor 1990 M. Carmen Africa Vidal
Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial 4.0.
