Language and euphony, background axes in "Los pasos perdidos" by Alejo Carpentier
DOI:
https://doi.org/10.26754/ojs_tropelias/tropelias.2023397351Keywords:
Alejo Carpentier; Language; Idiom; Literature and music; Literature and art.Abstract
Alejo Carpentier was an author musicologist. This issue encourages concern for language in the creation of his Works, endowing his novels and other writings with that baroque style so characteristic of his style, seeking euphony and maximum expresión. It is not only a stylistic question but also related to a philological concern. In addition, in relation to his studies mentioned above, we fin dan aspecto linked to language that is not always shown by writers: the concern with acoustics. Carpentier could not ignore the auditory issue, which will also be observed in the endowment to his novels of an entire sound universe in which language will be included. We can observe the euphony and care for language at the same times as language as music. In this way, we can access the study of language itself and how it interacts and confers various characters on the work.
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Copyright (c) 2023 Isabel Abellán Chuecos
This work is licensed under a Creative Commons Attribution 4.0 International License.
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Accepted 2022-10-18
Published 2023-01-26
